Acoustics in Performance

  • FabrikantElektor Publishing

Omschrijving

All you need to know about good acoustics and sound systems in performance and worship spaces!

Everyone knows that the ability to hear music in balance and to understand speech is essential in any space used for performance or worship. Unfortunately, in the early 21st century, we find that buildings with good acoustics are the exception rather than the rule. Much of the fault leading to this result can be traced to the widespread perception that acoustics is a black art. In fact, scientific acoustics as developed in the last century is a well-defined engineering practice that can lead to predictable excellent results.

A basic, non-engineering understanding of acoustics will help building owners, theater managers, ministers and teachers of music, performers, and other professionals to achieve their goals of excellent acoustics in venues with which they work. Performers having a basic understanding of acoustics will be able to make the most of the acoustics of the venue in which they perform.

This book helps those responsible for providing good acoustics in performance and worship spaces to understand the variables and choices entailed in proper acoustic design for performance and worship. Practicing acoustical consultants will find the book a useful reference as well. The level of presentation is comfortable and straightforward without being simplistic. If correct acoustical principles are incorporated into the design, renovation, and maintenance of performance and worship venues, good acoustics will be the result.



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    Details

    SKU: 18334
    EAN: 9781907920646
    ISBN: 978-1-907920-64-6
    Auteur: Richard A. Honeycutt
    Taal: English
    Pagina's: 120
    Formaat: 17 x 23.5 cm (Paperback)

    Omschrijving

    All you need to know about good acoustics and sound systems in performance and worship spaces!

    Everyone knows that the ability to hear music in balance and to understand speech is essential in any space used for performance or worship. Unfortunately, in the early 21st century, we find that buildings with good acoustics are the exception rather than the rule. Much of the fault leading to this result can be traced to the widespread perception that acoustics is a black art. In fact, scientific acoustics as developed in the last century is a well-defined engineering practice that can lead to predictable excellent results.

    A basic, non-engineering understanding of acoustics will help building owners, theater managers, ministers and teachers of music, performers, and other professionals to achieve their goals of excellent acoustics in venues with which they work. Performers having a basic understanding of acoustics will be able to make the most of the acoustics of the venue in which they perform.

    This book helps those responsible for providing good acoustics in performance and worship spaces to understand the variables and choices entailed in proper acoustic design for performance and worship. Practicing acoustical consultants will find the book a useful reference as well. The level of presentation is comfortable and straightforward without being simplistic. If correct acoustical principles are incorporated into the design, renovation, and maintenance of performance and worship venues, good acoustics will be the result.



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